This week in my random survey of activity on the mail-lists for Linux sound & music software I'll look at two very different software drum machines and a keystroke macro that enters LilyPond music notation into an Open Office text document. And if that isn't enough I've included four thrilling screenshots and links to three entertaining audio files to entice and maintain your interest. Read on for more... more>>
Over the next two or three entries I'm going to provide summaries of activity represented on some of the mail-lists most relevant to the development and use of audio software for Linux (and other platforms). I'm subscribed to a variety of such lists, and it occurred to me that a summary of their traffic would be a good indicator of the breadth and depth of our corner of the larger Linux world. I'll proceed through my lists in loose alphabetical order, starting with news from the Ardour camp. more>>
In this week's entry we'll look at two more "live" CDs of Linux systems optimized for multimedia creation and performance. I've been having a great time with these systems, and I hope that my mini-profiles inspire you to try them all. They're a great way to introduce someone to Linux, they show off the system optimized for multimedia performance and they provide a wealth of high-quality sound and music software to exploit that system. They all include the standard cornucopia of applications for the mundane tasks, word processing, text editing, graphics, networking, and so on. All that, for the cost of a download and a disc. more>>
I'm trying to discover why three out of three of my selected hard-disk recorders refuse to work on my Debian Etch (Demudi) system. Once again I ask myself the relevant questions: Is it me ? Is my computer trying to tell me something ? Is it something I said ? Whatever the reason(s), my reviews of those three programs must remain in limbo until I figure out what's wrong. The applications are all known to run perfectly well on other machines, so I'm sure there's an external problem. When testing new applications one must be prepared with the newest dependencies. CVS sources are often required. Sometimes one must mutter obscure invocations. Alas, I was not sufficiently prepared. Time for a radical shift. more>>
The hard-disk recorder (HDR) is the central component of the modern digital audio studio. The most basic feature of a high-quality HDR is the capability to record and play multitrack/multichannel digital audio at various sampling rates. However, with the addition of software amenities such as non-linear and non-contiguous editing operations, support for a variety of soundfile formats, and audio digital signal processing via plugins or built-in modules the HDR is no longer simply a more or less sophisticated record/playback device. At this point it has become a digital audio workstation (DAW). more>>
As I mentioned at the end of my last entry I'm preparing myself for my first excursion into the world of 64-bit Linux. After trading some lessons for a motherboard I started collecting parts for a new desktop machine for the studio. 64-bit considerations were new to me so I asked for help on the Linux Audio Users mail list. Some LAU members run 64-bit systems, and I did indeed get the information I needed. I won't detail the engaging traffic that resulted from that thread, you can read it yourself in the LAU list archives (it's titled AMD64 question).
So now I'm a blogger. Well, this column has been a kind of journal anyway, a chronicle of my life and times in the world of Linux sound and music software, and hopefully it's as enjoyable for you to read as it is for me to write. You can expect little change from the style and content of my previous articles, despite my imminent bloggification, but in accord with the popular definitions of a blog I'll be a little less formal and sometimes a lot more personal. Not that there's much fuel for acrid controversy in the world of Linux sound and music software, but there are issues occasionally and I'd like to speak plainly regarding them.