At the Sounding Edge: Introducing seq24
In this month's column, we look at the seq24 MIDI sequencer to see how you can use it in a Linux-based MIDI music production system. Given working ALSA and JACK installations, this system is easy to set up and use, great fun and a valuable production tool. Feel free to follow along while I walk through some of the program's basic techniques and introduce some not-so-basic procedures before taking my leave.
On his seq24 Web site (see Resources), developer Rob Buse describes seq24 as:
a loop based MIDI sequencer...created to provide a very simple interface for editing and playing MIDI loops...that would provide the functionality needed for a live performance, such as the Akai MPC line, the Kawai Q80 sequencer, or the popular Alesis MMT-8...a very minimal sequencer that excludes the bloated features of the large software sequencers and includes a small subset of features that I have found usable in performing.
Like Rob's description, seq24 itself is small and sweet, providing simple interfaces for pattern and song creation. If you've worked with Old School MIDI gear, such as Roland's TR drum machines or the hardware sequencers mentioned above, you should feel right at home with the program. But, even if seq24's design is totally new to you, you soon will be comfortable with it.
Pattern loop sequencers assume a bottom-to-top workflow from the creation of individual patterns to their repetition and linkage to a larger form. seq24 calls this linking stage a Performance. Patterns and Performances can be recorded in real time or in step-time. Almost every aspect of seq24 is intended to function in real time, but it is equally serviceable to those of us who like sequencing note by note.
seq24 is available as a package for users of the AGNULA/Demudi and PlanetCCRMA systems. It also is available in Thac's RPMs for Mandrake and as a source code tarball on the seq24 Web site. I prefer to roll my own, so the version demonstrated here is built from the 0.6.3 tarball. I assume you already know how to install your package of choice, so let's speed along and dive into making some music with seq24.
If seq24 is in one of your application menus, simply click on its name or icon to start the program. If you choose to launch seq24 from an xterm, you can run it with the --help option to view a list of other command-line options. Otherwise, enter seq24 at the xterm prompt to launch the program in its default state. When it starts you should see the screen shown in Figure 1.
Each bracketed area is a sequence container. Right-click within a container and select New from the popup menu to invoke the pattern sequence editor seen in Figure 2.
Let's look closely at the various parts of the pattern editor. The top strip includes an entry box for a sequence name, followed by drop-down selectors for meter and sequence length, displayed as bars. The next strip includes quantization settings for note start-time and duration, a zoom view control and settings for MIDI device target and output channels. The next strip contains the all-important Undo button, a toggle for the Tools menu, two controls for sequence key and scale type (major/minor) and a selector for a background sequence to be played while composing the current pattern.
In the event entry grid you can enter, delete and edit note events in a familiar piano-roll display, where the vertical axis represents pitch and the horizontal axis represents time. Notes can be selected individually or in groups, and the few edit procedures include some quantizing and transposition options. By the way, the Snap-to setting applies to edit groups as well as to individual notes.
The blank area under the grid is dedicated to controller and velocity editing. The strip beneath that area offers an event selector for the controller edit area and three buttons for defining the MIDI I/O for the pattern. Don't worry if you can't immediately recall all these features; seq24 provides informative tooltips for almost every aspect of its interface.
It's time to record something with seq24. After opening a new pattern, I select its MIDI output destination and click on the third MIDI I/O button in the lower right to record incoming MIDI data. I hit the Play button on the seq24 main screen, play some notes on my MIDI keyboard and behold, I've recorded a new pattern into seq24. Next, I perform a little quantization by selecting a group of notes and applying the quantization function from the Tools menu. I then do a little velocity editing by clicking right or left within the controller edit area and dragging an edit line to shape the displayed values. Figure 3 displays the results so far.
I also like step-entering events into a sequencer using the mouse, the computer keyboard, a MIDI keyboard or a combination of these methods. seq24 has no problem with any of these methods, and of course, it supports real-time recording with any or all of those input devices.
Whether in real time or not, repeat the process to create more patterns. Use the copy command from the expanded popup menu in an occupied sequence container and then paste a copied sequence into any empty container to create a variant of the original. When you have enough patterns to link together into a song form, it's time to employ the seq24 Performance editor.
Similis sum folio de quo ludunt venti.
|Updates from LinuxCon and ContainerCon, Toronto, August 2016||Aug 23, 2016|
|NVMe over Fabrics Support Coming to the Linux 4.8 Kernel||Aug 22, 2016|
|What I Wish I’d Known When I Was an Embedded Linux Newbie||Aug 18, 2016|
|Pandas||Aug 17, 2016|
|Juniper Systems' Geode||Aug 16, 2016|
|Analyzing Data||Aug 15, 2016|
- Updates from LinuxCon and ContainerCon, Toronto, August 2016
- NVMe over Fabrics Support Coming to the Linux 4.8 Kernel
- What I Wish I’d Known When I Was an Embedded Linux Newbie
- New Version of GParted
- All about printf
- Analyzing Data
- Tor 0.2.8.6 Is Released
- Blender for Visual Effects
- Juniper Systems' Geode
With all the industry talk about the benefits of Linux on Power and all the performance advantages offered by its open architecture, you may be considering a move in that direction. If you are thinking about analytics, big data and cloud computing, you would be right to evaluate Power. The idea of using commodity x86 hardware and replacing it every three years is an outdated cost model. It doesn’t consider the total cost of ownership, and it doesn’t consider the advantage of real processing power, high-availability and multithreading like a demon.
This ebook takes a look at some of the practical applications of the Linux on Power platform and ways you might bring all the performance power of this open architecture to bear for your organization. There are no smoke and mirrors here—just hard, cold, empirical evidence provided by independent sources. I also consider some innovative ways Linux on Power will be used in the future.Get the Guide