At the Sounding Edge: LilyPond, Part 1
Judging from the response to last month's column, it seems that many readers are interested in applications and utilities designed for practicing musicians. One reader brought up the subject of scoring software, which are programs designed for formatting music notation for printing. This month's column looks at music notation software for Linux, with a special focus on the LilyPond project.
First, a few remarks concerning the subject of music notation. Modern Western music notation is the result of hundreds of years of evolving practice. From its beginnings as a means of notating plainchant the system has grown to accommodate a bewildering array of symbols, signs and objects, all intended to convey a more or less accurate set of instructions describing a performance of the composer's musical intentions involving possibly huge instrumental and vocal resources. Learning to read and write standard Western music notation is a non-trivial task, and real fluency requires considerable effort.
Alas, the computer can't do your sight-reading for you yet, but it can relieve many burdensome clerical aspects of notation, particularly in regards to manuscript preparation and score printing. Programs are available that act as virtual manuscript paper, presenting the user with a palette of conventional music symbols such as staffs (or more pedantically, staves), clefs, time signatures, key signatures, notes, rests, articulations and so forth. The composer selects what he needs from the palette, beginning with staff definitions, and proceeds by freely adding and deleting elements to the staff(s). Typically, notes can be auditioned when placed or moved on the virtual staff, and the entire work or any part can be played at any time. When the composer is satisfied with the appearance and sound of his work, he can save or export it in a variety of formats, including MIDI files and PostScript graphics. The Linux applications that belong to this music software category include the MusE and Rosegarden audio/MIDI sequencers and Joerg Anders' NoteEdit program (see Resources).
Music typesetting software is another category. A music typesetting system is designed for formatting publication-quality output files. These systems typically work with a text-based interface (a language) and a compiler or preprocessor (the program). The user writes a specification file in the system's language and processes it with the typesetting program. Output usually is a scalable graphics format, such as PostScript or Adobe PDF, that can be printed with the common Linux printing tools. With a powerful enough language, every detail of a score's appearance can be customized for perfectly readable and beautiful printed music. Linux music applications in this category include MusiXTeX, Mup, abc and LilyPond.
A music specification language may seem like an odd way to deal with something so visual as music notation, but preparing a music manuscript is not necessarily a straightforward process. Note groupings, placement of accidentals, beaming requirements, necessary stem directions and many other factors influence the appearance and usability of the printed score, and the variations of those factors cannot be predicted and accommodated easily by formula. Even the most flexible notation GUI is not quite WYSIWYG, and the underlying program logic must make decisions that may not create optimal output. By contrast, a specification language allows a degree of output customization not commonly encountered in programs dependent on graphic interfaces. Which brings us to LilypPond.
So say Han-Wen Nienhuys and Jan Nieuwenhuizen, the principal architects of LilyPond. They are very clever and articulate fellows, so I'll let their capsule description of LP speak for them:
"Scores made with computers almost always look bland and uninspiring, but for what reason? Machines may be mechanical, but why should their products be? With that thought in mind we started programming seven years ago. We have tried to capture the rules of good music engraving in a program, and that program is called LilyPond. We built it like we expect software to be: robust, open and flexible. The best is that you can create beautiful sheet music comfortably with LilyPond."
Bold statements, indeed, but they're backed by solid programming skills and deep research into the chosen subject. This rest of this article gives you a glimpse of LP's capabilities. If you are a musician wanting to create publication-quality scores of your music, I hope you will be inspired to try LP yourself.
Its Web page refers to LilyPond as an automated engraving system, a software music typesetter designed to create beautiful readable output. Set to its defaults, LilyPond automatically formats most music for excellent printed output, at the same time permitting highly detailed customizations to accommodate virtually any music scoring requirement, including unusual and idiosyncratic notations.
Similis sum folio de quo ludunt venti.
Today’s modular x86 servers are compute-centric, designed as a least common denominator to support a wide range of IT workloads. Those generic, virtualized IT workloads have much different resource optimization requirements than hyperscale and cloud applications. They have resulted in a “one size fits all” enterprise IT architecture that is not optimized for a specific set of IT workloads, and especially not emerging hyperscale workloads, such as web applications, big data, and object storage. In this report, you will learn how shifting the focus from traditional compute-centric IT architectures to an innovative disaggregated fabric-based architecture can optimize and scale your data center.
Sponsored by AMD
Built-in forensics, incident response, and security with Red Hat Enterprise Linux 6
Every security policy provides guidance and requirements for ensuring adequate protection of information and data, as well as high-level technical and administrative security requirements for a system in a given environment. Traditionally, providing security for a system focuses on the confidentiality of the information on it. However, protecting the data integrity and system and data availability is just as important. For example, when processing United States intelligence information, there are three attributes that require protection: confidentiality, integrity, and availability.
Learn more about catching the bad guy in this free white paper.
Sponsored by DLT Solutions
| Making Linux and Android Get Along (It's Not as Hard as It Sounds) | May 16, 2013 |
| Drupal Is a Framework: Why Everyone Needs to Understand This | May 15, 2013 |
| Home, My Backup Data Center | May 13, 2013 |
| Non-Linux FOSS: Seashore | May 10, 2013 |
| Trying to Tame the Tablet | May 08, 2013 |
| Dart: a New Web Programming Experience | May 07, 2013 |
- RSS Feeds
- New Products
- Making Linux and Android Get Along (It's Not as Hard as It Sounds)
- Drupal Is a Framework: Why Everyone Needs to Understand This
- A Topic for Discussion - Open Source Feature-Richness?
- Home, My Backup Data Center
- Dart: a New Web Programming Experience
- Developer Poll
- May 2013 Issue of Linux Journal: Raspberry Pi
- Trying to Tame the Tablet
- Google Docs
20 min 20 sec ago - Reply to comment | Linux Journal
5 hours 8 min ago - Reply to comment | Linux Journal
5 hours 55 min ago - Web Hosting IQ
7 hours 29 min ago - Thanks for taking the time to
9 hours 6 min ago - Linux is good
11 hours 3 min ago - Reply to comment | Linux Journal
11 hours 21 min ago - Web Hosting IQ
11 hours 51 min ago - Web Hosting IQ
11 hours 51 min ago - Web Hosting IQ
11 hours 52 min ago
Enter to Win an Adafruit Prototyping Pi Plate Kit for Raspberry Pi

It's Raspberry Pi month at Linux Journal. Each week in May, Adafruit will be giving away a Pi-related prize to a lucky, randomly drawn LJ reader. Winners will be announced weekly.
Fill out the fields below to enter to win this week's prize-- a Prototyping Pi Plate Kit for Raspberry Pi.
Congratulations to our winners so far:
- 5-8-13, Pi Starter Pack: Jack Davis
- 5-15-13, Pi Model B 512MB RAM: Patrick Dunn
- Next winner announced on 5-21-13!
Free Webinar: Linux Backup and Recovery
Most companies incorporate backup procedures for critical data, which can be restored quickly if a loss occurs. However, fewer companies are prepared for catastrophic system failures, in which they lose all data, the entire operating system, applications, settings, patches and more, reducing their system(s) to “bare metal.” After all, before data can be restored to a system, there must be a system to restore it to.
In this one hour webinar, learn how to enhance your existing backup strategies for better disaster recovery preparedness using Storix System Backup Administrator (SBAdmin), a highly flexible bare-metal recovery solution for UNIX and Linux systems.



Comments
Re: At the Sounding Edge: LilyPond, Part 1
Musical Notation has not only evolved over centuries, it is also facing numerous dilemmas: Instruction to the performer vs. compositional concept, difficulties with tuning systems, and so on. I own about 6 kilograms of books about the subject, so I am not surprised that there can be fiery discussions about notation programs.
My favourite tools for notating music will always be some sheets of paper and a 4b pen, and I will never touch an eraser when composing or arranging.
Author's reply
I agree, music notation has become a wildly tangled garden, and it is indeed a difficult thing to come up with a program that could satisfy all possible demands.
Btw, your last comment reminded me of Morton Feldman's statement that he always composed with pen & ink. He claimed it made him really think about whether he should write down what he was considering...
Best,
dp
Re: At the Sounding Edge: LilyPond, Part 1
An archive of folk tunes in LilyPond format is at http://sniff.numachi.com/~rickheit/dtrad/.
no comments
no comments
LilyPond formated archive
Unfortunately, the site owner at http://sniff.numachi.com/~rickheit/dtrad/ no longer provides songs in the LilyPond format.